For the love of paper

Conversation Magdalena Konik-Machulska

PK: Maybe we'll start from the beginning. Can you tell us how Papierniczni was founded?

A dozen or so years ago I ran a graphic design studio, I employed two people, it was a small studio. We dealt with graphic design and what I enjoyed most were projects related to printing - designing books, catalogues, publications, generally things that later had a physical form.

This job also allowed me to gain a lot of experience in contact with printing houses and acquired technical skills. I then learned how to work with paper and how to prepare specifications for the design of such a book or publication.

I remember that at that time I really dreamed of creating the concept of my own product - and I was always completely crazy about notebooks, notebooks and stationery. So it all just kind of came together naturally. I wanted to introduce beautiful stationery products to the Polish market and that's how Papierniczni was created.

At the beginning, it was a side project alongside the activities of the graphic studio. We started by creating and selling products on a smaller scale, and after two years it actually turned into our main project and family business.

PK: How many years have passed since the founding of the Paper House? 

This year we celebrate our tenth anniversary.

PK: Then congratulations on your anniversary! You said that Papierniczni were created as a side project to the graphic studio you ran. Are you a graphic designer by profession?

I am self-taught – to use the feminative. I studied computer science and I remember studying it as something very "not mine". I know that for many people, university studies are a very pleasant period in life, but in my case it was different. For me it was a no-brainer and I didn't want to pursue computer science at all. I started learning design on my own and that's how I found my path. This happened fifteen years ago, so you had to fight a bit to acquire these skills, because there were not as many educational materials on the Internet as there are now. Despite this, I managed to gather knowledge in the field of typography, printing, DTP, and preparation for printing.

I also learned a lot in practice, for example in the art of bookbinding. One of my learning methods was to take books apart. I simply opened the covers to see how the book was constructed - I learned a lot then.

I was also looking for development opportunities by joining various courses and trainings. I remember very well the several-day workshops in Lublin, organized by Dom Słów as part of the TypoLub conference. At that time, I had contact with people who worked as bookbinders, and I got to know the work of a bookbinding shop from the inside. I learned a lot about the operation of traditional printing and binding shops, which use physical fonts, printing presses and other heavy machines.

When designing the first notebooks for Stationers, we used the trial and error method. In the beginning, things sometimes fell apart during use. When we were designing new products, sometimes everything seemed to be fine, and only later, when testing the product, we noticed errors and problems. Then it turned out what we should change or improve. Product testing is a very important part of our design process.

PK: Let's go back to your education - computer science is often perceived as a field that guarantees professional success. Were you met with negative reactions or surprise when it turned out that you wanted to leave this profession and start making notebooks?

Certainly the fact that I was in graphic design first made this career change a little smoother and perhaps less unexpected.

At first, my loved ones were probably a bit concerned. My career path was by no means what they had dreamed of. I don't think they realized that crafts were coming back, that you could base a business on your passion and make money that way, so they were just worried. My dad only recently realized what I actually do and started to appreciate it. 

PK: Could you tell us more about the first products you created as Papierniczni? 

The first were notebooks, which is perhaps a bit surprising, because currently planners and calendars are our basic product and we sell them the most. Personally, I have never been a user of planners or calendars, and for me the basic product was a notebook.

The first, absolutely first product we created was a notebook that we called "Felefele". Very fancy, because I remember thinking that it should be something creative and fancy - something that will surprise customers. Now I think about product design in a completely different way. From today's perspective, I know that this product was absolutely overcomplicated [laughter]. I remember it very well, but there was simply too much going on - I wanted to combine a million different ideas into one object. I remember that half of the notebook had white pages and the other half had colored pages. The notebook also had a specific binding, with a cutout, the spine was exposed and so on [laughter]. But you could write in it - it didn't fall apart. And that was our first product.

PK: What does the creation of your products look like now?

At this point, we have a lot of experience and we release specific series of calendars and notebooks that change from time to time. We create products with passion and love for paper, which is why everything we do is perfected in every detail - and I think this is felt when using our products. They are all very well thought out. Every small element is subject to planning and testing, which is why working on new models is very time-consuming. We spend many hours searching for the right paper and canvas and selecting the right color combinations - and we believe that our customers appreciate it.

We now also have space for production on a much larger scale. The place where our store is located in Krakow is also our office and workshop where all products are made. We also accept deliveries here, check the quality of the semi-finished products we use, and pack orders placed in our online store. Although I must admit that sometimes we start to run out of space - especially during the season.

PK: A real command center! What is the hottest sales season for you?

The most important months for us are November and December, i.e. the time when customers buy new calendars and planners and look for gifts for their loved ones. Our business is therefore very dependent on the season.

PK: You're not a big band. How do you manage to organize your work before the peak sales period?

This year, three people will join our team - partly also to support us in the busy season. Most stationery brands simply outsource all production to a specific printer. We prefer to keep our finger on the pulse and ensure quality at every stage of production, which is why in our case the only stages of the process that we outsource are gold plating and interior printing for our products - i.e. printed blocks. These stages require the use of industrial printing machines, which, due to their size, we do not have in our studio. However, the remaining stages of creating our products take place in our workshop. Her team is not large, so planning and division of work are very important.

PK: Could you tell us about the exact process of creating your products?

We do not submit notebooks individually based on a given order. We organize the work in such a way that in a given week we make, for example, one hundred specific notebooks in a given color, and the next week another hundred notebooks in a different color and so on.

When it comes to working time, in the case of our flagship "classic" series it is the longest because it consists of the most stages. The insides of our notebooks and calendars that we order from a printing house reach us in the form of blocks. From them, the final product is created in our hands. First of all, we always check the quality of all the elements we use in the process. For example, we manually check the paper from which our covers are made - each cover passes through our hands several times to make sure there are no damages, scratches or other defects. After printing on the cover, such quality control takes place again

Dummy heading – Check if heading is needed or is connected to previous question!

The first stage of work after receiving the printouts from the printing house is to put together the blocks that will constitute the interior of the notebook with its cover. Such a flat cover is first properly folded using a bookbinding block and then folded. Later, the cover and the printed block are joined with glue, and the edges of the folded notebook are cut to align them. After cutting the edges, paste all the ribbons that will be inside our classic.

The last, very important and most time-consuming stage is "backing", i.e. gluing the canvas to the back of our product. This process requires great precision and care, as well as time, because we have to wait until all the elements stick together and the whole thing dries. After drying, our product is ready.

Typically, assembling such a batch of one hundred "classic" series notebooks takes about a week.

PK: So the "classic" series is one of your most popular products, right?

Yes, this series of calendars has already become our bestseller, which is probably why we still exist. We called it "classic" because of its very minimalist, elegant look with a modern twist, which makes these calendars a timeless design. As I mentioned, these are calendars with a paper cover, the spine of which is covered with cloth.

Today it is a "classic" not only because of its reference to the classic design and elegance - it is also our "classic", because this year we will be producing its eighth edition.

PK: So is this the product you've been selling the longest?

Yes, the "classic" stays with us the longest. The name of this model is definitely appropriate to its success. We are happy that the calendar has a regular audience and its fans come back every year to buy it. I think this is the best recommendation and the greatest reward for us as its creators.

I must admit that its popularity is also a kind of trap. Sometimes we would like to slightly change and refresh something, but we feel afraid to make changes to this particular product so as not to disappoint its loyal customers.

PK: We talked about the process of creating your notebooks - what surprises your customers the most when they find out how Paper House products are created?

I think the most surprising thing for everyone is the fact that all these products are made in our store in Krakow - in a small room that is our workshop.

PK: What prospects do you see for the bookbinding profession?

It's hard for me to predict the future because our path is not based on innovation. As Papierniczni, we are not looking for novelties, we rather focus on slow development, consistent with the rhythm of our lives and observations taking place in the environment.

What I observe is that the love for paper is not dying out among people, so I think that this profession will still be needed. Of course, the characteristics of the profession itself have changed slightly because the demand has changed. Book repair shops have become rare, mainly because of the way books are produced today. Most of them are simply not worth repairing from a financial point of view. In this regard, it is difficult to predict what the future will bring.

PK: Have you noticed any changes over the ten years of your activity?

Yes, a lot has changed in many aspects.

Usually, the first customers of brands similar to Papierniczenia are people interested in design, people who move in such artistic and creative circles. This was also the case with us - when we started, our main recipients were people from the creative industry. They were the first to discover our newly created brand.

Now, after ten years on the market, we reach a wider audience and these are very different people - it is difficult to unify this group. We are visited by both people who write with a pen and those involved in graphic design, and there are also people who come mainly to buy a planner or calendar.

Could you tell us a little more about those beginnings?

Even before I moved to Krakow and opened my studio here, I managed to cooperate with a large, possibly the largest, chess manufacturer in Poland. Back then, I didn't create my own patterns yet. I carved chess pieces for this brand, but they were patterns previously designed by someone that I continued. Only after some time did I start designing and gradually introducing my own patterns and models and selling chess sets that were already created by me from start to finish.

PK: It's good to hear that your audience is growing and interest in your products is growing. Are these only customers from Poland or not only?

Our regular customers come mainly from Poland, although during the tourist season we also have foreign customers. However, from the very beginning of our activity, we have been cooperating with foreign stores that allow us to purchase our products also outside Poland.

PK: You mentioned that some of your audience are people who write with pens. Does writing with a pen require the use of paper with specific properties?

Yes, the choice of paper should take into account the tool we will use to write on it. In the case of a pen, the paper should have a balanced texture - it cannot be either too smooth or too rough. If the paper is too rough, the ink may spread in it, creating the so-called "spidery". On the other hand, a surface that is too smooth means that the paper does not absorb the ink and it may smear. The key is to find the perfect balance between roughness and smoothness to ensure comfortable writing.

PK: Do customers usually come to you knowing exactly what they are looking for, or are there also those who have no idea even about the properties of paper?

We sometimes have customers who come thinking that this is just a school and office store, a typical stationery store. Sometimes these visits are very short because visitors cannot find adhesive tape or glue here, but then we try to help by recommending other stores in the area. However, it sometimes happens that someone drops by by accident and gets completely lost among our notebooks and calendars, spending a lot of time in the store.

If we see that the customer does not quite know what he is looking for, we help him choose the right product that will meet his needs. We often explain the differences between types of pens and papers and talk about who the Papermakers are.

It usually ends with an interesting purchase, which sometimes becomes the beginning of entering the world of paper. We have had customers who, after purchasing in our store, decided that they were done with digital notes and went back to using paper and pencil - these are the moments when we feel that our mission is fulfilled.

In our store, people often find gifts for their loved ones - because all of these products are perfect gifts. We often advise such clients and together with them we look for suitable gifts. When it comes to buying gifts, a big advantage is the fact that the wide range of products we offer allows you to buy both small and more expensive gifts - for example, if you decide to buy a pen. Many of our current customers got to know us in such a way that they received one of our products as a gift and liked the gift so much that they simply wanted to buy something else - this is a really great feeling for us.

PK: You mentioned that your typical client has changed over the years. Have you also noticed major changes in the industry?

Yes, definitely. I have observed an increasing interest in the materials we offer, which has naturally contributed to the development of the industry and the emergence of greater competition on the market. When we started ten years ago, there were few such companies in Poland - we stood out with something fresh and new. In recent years, for example, development planners and notebooks based on psychological content supporting personal development have become very popular. Many new brands specializing in this type of products have been created. I think it's really great.

PK: How do you feel about having to compete for customers?

We have our own values ​​and a range of our own products based on them, but we also sell competitors' products, so we are happy with the development of the entire industry. Thanks to this, the offer of items available in our store is also expanding and every customer can find something for themselves.

PK: Tell me, what are the values ​​behind your products?

Above all, we celebrate paper in our products.

Paper is something special to us. We want paper and its color and texture to be the basic means of expression in our products. They are very minimalistic and usually combine beautiful paper with a pleasant-to-touch texture with a restrained graphic design that emphasizes its uniqueness. That is why the interiors of the calendars and notebooks we design have a subtle character, they are often transparent and do not attract the user's attention. This may seem a bit strange when you first hear about it, but we want user notes of our products to be the main eye-catching content - not our design.

PK: What do you pay attention to when choosing the right paper for your products?

It is very important to us what materials we use, so we devote a lot of time and attention to their selection.

Selecting the right paper is a key stage of the process for us. We are guided by both aesthetic considerations and sensual feelings. As I mentioned, the paper we use must have a pleasant texture.

We only use high-quality paper and choose only those with certificates, such as the FSC certificate. This gives us confidence that the raw material was obtained from well-managed forests. Another key issue is the fact that we do not coat the paper with foil, as most stationery manufacturers do. This means that the covers of our products retain a pleasant, light roughness to the touch, but this solution is also more environmentally friendly. It should be mentioned that this also means that the cover of such a product will collect traces of its use - it may become more dirty and these traces cannot be wiped off with a cloth. For us, however, it is something that adds character to the item and makes it even more unique.

If the customer is looking for an "armored calendar" that does not have such properties, we offer products from other manufacturers, which are available in our store.

PK: Do you have a motto that guides you?

We are Papermakers! [laughter]

PK: Keeping in mind the experience you have gained over the ten years of Papiernicznicze's existence, what advice can you give to people who want to turn their passion into a career?

I think everyone faces different challenges, but I remember that "making friends" with the procedures helped us a lot. It's good to organize your business and calculate how much it all costs. It's quite a pragmatic approach, but for us it really was the biggest game changer.

PK: At the end of our conversation, I would like to ask why, in your opinion, it is worth choosing craft products?

In our opinion, it is a unique feeling when you hold in your hands a product that was created as a result of the work of other hands - especially if the customer had the opportunity to meet the person who manufactured such a product or see a fragment of this process. In our case, products are created in a workshop separated only by a wall from the space visited by customers. We communicate this often and feel it creates a unique bond between us, the creators, and the customers who buy our products.